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Every once in awhile, a truly jaw-dropping inspirational commercial captures our attention. P&G haircare brand Pantene and ad agency Grey Worldwide in Thailand have created a four-minute ad that features a young hearing-impaired girl who wants to learn to play the violin. The tag line at the end of her amazing journey—and, naturally, the end of the ad for Pantene Chrysalis Shampoo—sums it up nicely: You can shine.
Executive Creative Director: Sajan Raj Kurup
Creative Director: Sajan Raj Kurup
Copywriter: Sajan Raj Kurup, Thanonchai Sornsriwichai
Agency Producer: Bee
Director: Thanonchai Sornsriwichai
Panic is spreading through the art world following the discovery of forgeries among major 20th-century paintings sold in recent years by leading auctioneers and dealers worldwide, including Christie's in London.
More than 30 paintings, thought to be by artists including Max Ernst, Raoul Dufy and Fernand Léger, have been unmasked as forgeries, the Observer has learned. The fakes have duped leading figures in the art world into parting with at least £30m.
Four of the paintings have gone through Christie's, including forgeries of Ernst's La Horde, estimated at £3.5m and eventually sold to the Würth Collection, and André Derain's Bateaux à Collioure, sold for £2m. Six paintings were sold by the leading German auctioneer, Lempertz, one for £2.8m. The forger's strategy appears to have been to create compositions that would relate to the titles of documented works whose whereabouts are not currently known.
Dealers and collectors who have recently acquired works by the artists involved "are shaking over this scandal", one insider said. "They are in a panic over whether their paintings are also forgeries. Everyone's taking a second look." The panic is so acute that collectors are even seeking refunds on unquestionably genuine works.
One expert describes the forgeries as "gold standard". They cover many styles and include works by Heinrich Campendonk, the German Expressionist. Most are in the style of the particular artist, rather than a direct copy. All are believed to have been painted by a German forger over the past 15 years. Police are now investigating whether that forger is Wolfgang Beltracchi, 59, an artist from Freiburg, aided by his wife, Helene, 52, and her sister, Susanne, 57 – women described as "great charmers". All three are now in police custody. Two men are also being investigated.
The deception involved an invented story about inheriting the paintings from the sisters' grandfather, Werner Jägers.
Dr Nicholas Eastaugh, of Art Access and Research, a leading British expert in scientific analysis of paintings, told the Observer that he has seen four of the forgeries and conducted extensive tests on three. The results confirmed that they contain pigments not available when they were supposed to have been painted. One of the paintings, Campendonk's Rotes Bild Mit Pferden (Red Picture with Horses), was sold in 2006 by Lempertz for a record price.
Eastaugh emphasised that the duped buyer has given him permission to discuss the case. A painted sketch on the back of the canvas – suggesting that the artist was trying out another idea – is also a forgery. Clues to a painting's provenance, or history, are often found on the back of a painting. Many of the forgeries have fake labels from galleries or collections to give a further authentic touch, suggesting past exhibitions. The Christie's Ernst is said to bear a false label, "Flechtheim Collection", which aroused the suspicions of the distinguished historian and Flechtheim biographer, Ralph Jentsch. Labels on other works suggest they are from the "Jägers Collection".
One duped auctioneer said: "It's significant that these paintings have been through the sale process before they got to me. They must have been sufficiently convincing."
The buyer of the Campendonk was Trasteco, a trading company in Malta, which is now claiming back the purchase price. The firm is one of two collectors represented by Friederike Gräfin von Brühl, a German lawyer at K&L Gates. She said: "For the art world, this is a big scandal. Everyone is shocked."
Christie's London – which handled alleged forgeries that include Campendonk's Girl with a Swan, sold for £67,000, and another painting that fetched £344,000 – said: "We take any doubt surrounding authenticity extremely seriously and are investigating the matter fully."
Source: The Guardian-UK
Breakbot - Baby I'm Yours (feat. Irfane) - HD from Ed Banger Records on Vimeo.
Last night was the Arts & Music Show, a talent show produced by the grade school students at the American International School and Aliyah is a part of it with group and a solo performance. The auditorium was packed, people from different nationalities, parents, teachers, friends and students filled the seats. We entered, Aliyah was a bit nervous after seeing the crowd, I guess that's a normal thing because even myself would have butterflies in my stomach performing on stage in front of those people. Showtime! At the second half of the show, the emcee, (who's also their Arts & Music teacher) announced a 'special' treat for the audience, and said that it's a rare moment that they'd be having a solo performance from a very talented young girl from grade 4 and she calls Aliyah onstage and the applause! Aliyah gave a small introduction about herself and the song she'll be singing, "Tomorrow" from the musical Annie, with a huge Annie poster projected on the background wall. Music starts, a karaoke version of the original, after the first verse, the unexpected happened, the cd starts skipping! Aliyah stops singing and stands right there with a smile looking straight at the control booth, the music stops, the emcee jumps in the scene, the crowd reaction was mixed, and we waited, after 20 seconds of no music, the emcee went to her and asked her if she wants to do it in a cappella, and she says yes! The crowd applause was crazy, i heard some whistling, yelling "yeah!" in the audience. And she takes off.. but just when she's about to sing, the music plays again, (damn! I'm really hating the guy in the control room), Aliyah for a split second looked at me, and I gave her a nod to "go on", and she did, with a sweet smile and a bit of action on her singing, I knew it wasn't there when we practised it at home, I told her that when things go wrong and you're on stage, smile and never look scared-be confident, remember that you are singing their song, and you have to give your best doing it! And she did! after the last verse and the ending, the auditorium was filled with applause, Aliyah got a 'Standing Ovation! A wonderful performance, and a real great experience for Aliyah, You made us proud again, love! - You're my Superstar!